Where Talent Comes From


Where Talent Comes From
The role of practice, motivation, and environment in building talent

by Christine Shin

At New Mozart, we often hear things like, “She’s so talented!” or “He must have been born with a gift.” While it's true that some students take to music more quickly than others, bestselling author Daniel Coyle offers a surprising - and encouraging - perspective in his book The Talent Code: talent isn’t a gift you’re born with. It’s a skill you build.

And the best part? Science shows us how.

Practice Doesn't Just Make Perfect – It Builds Brainpower

Coyle traveled around the world visiting “talent hotbeds” - tiny schools, rundown gyms, and modest music studios that consistently produce world-class performers. What he found wasn’t magic or miracle genes. He found something called deep practice.

Deep practice is the opposite of going through the motions. It means slowing down, working on the hard parts, making mistakes, and correcting them with full focus. In other words, it’s that uncomfortable zone just beyond your current ability - where real growth happens.

The Secret Ingredient? Myelin

Every time we practice something deeply, we fire certain neural circuits in our brain. Over time, those circuits get wrapped in a substance called myelin - a kind of insulation that makes those pathways faster and stronger. Myelin is what turns slow, clumsy effort into smooth, expert skill.

So when your child practices a tricky piano passage or works to master a new rhythm, they’re not just “getting better.” They’re literally rewiring their brain.

Talent is Fueled by Passion

But skill-building isn’t just about hard work: it’s also about ignition. No one keeps practicing just because they’re told to. Coyle describes ignition as the spark that makes someone fall in love with the work of getting better. Sometimes it’s a moment of inspiration (like seeing someone just like you achieve something amazing). Sometimes it’s a teacher who believes in you. That spark is what keeps students coming back to the piano bench, the practice room, or the music stand, even when it’s hard.

The Power of a Master Coach

Coyle emphasizes the importance of a master coach: the kind of teacher or mentor who doesn’t just give instructions, but truly understands how to guide students through deep, lasting growth.

Master coaches are able to break down complex skills into small, manageable steps. They pay close attention to details, offer clear and immediate feedback, and know how to challenge students without overwhelming them. Their approach is not about quick results, but about building strong foundations over time.

In our work at New Mozart, we’ve seen how much a thoughtful, engaged teacher can change the course of a student’s learning. They encourage deliberate effort, celebrate progress, and help students stay motivated even through setbacks. Their presence often becomes a turning point in a student’s journey.

Great teaching isn’t just about content. It’s about knowing when to push, when to step back, and how to bring out the best in each individual.

Great Learning Environments Make All the Difference

Coyle also highlights the importance of what he calls talent hotbeds: environments where deep practice, passion, and expert guidance come together. These places aren’t always fancy. What they have in common is a culture that celebrates effort, focuses on fundamentals, and gives students the space to stretch, fail, and grow.

It’s a great reminder that environment matters and why we’re so intentional at New Mozart about nurturing a community where practice is celebrated, passion is sparked, and every student feels supported on their musical journey.

What This Means for Parents

The message of The Talent Code is both simple and profound: talent is not fixed. With the right kind of practice, encouragement, and environment, any child can develop extraordinary ability over time.

When you hear a student play with confidence or expression, it’s not just a reflection of innate talent; it’s a reflection of the work behind the scenes - the small, steady steps that built that musicality over time.

Greatness doesn’t appear overnight. It’s something that’s shaped, practiced, and earned - one lesson at a time.

Student Spotlight: Annabel Zhao

For the month of May, we are delighted to feature one of our long time voice students, Annabel Zhao.

Annabel is an accomplished vocalist who continues to shine in both classical and musical theatre. She won first place in her NATS competition in the classical division in 2021 and placed again in both categories in 2024. In 2023, she advanced to the national round of the Classical Singer Magazine competition and was named a 2024 All State Winner for California. This year, she was named a 2025 Golden Classical International Competition winner and will be performing at Carnegie Hall at the winner’s concert. Annabel has earned New Mozart’s Distinguished Honors for several consecutive years and was a semi-finalist in the Music International Grand Prix. Her dedication, talent, and work ethic are truly inspiring. Read our recent interview with her here.

1 . What is your name and how old are you?

My name is Annabel Zhao and I’m currently 15 years old.

2. How long have you been studying music and how old were you when you first started?

I’ve been studying music ever since I can remember. Things started out when my brother joined the Crystal Choir, so I got enrolled as well. Eventually, in the 3rd grade, my parents decided that singing solo stages might be more suited for me, so I got the pleasure of being a student of Ms. Diane.

3. Who is your teacher?

Ms. Diane! She’s a wonderful opera singer and absolutely lovely 😀

4. What pieces are you currently working on?

I’m currently working on “Se Tu M’ami”, and I hope to polish this piece as much as possible for my competitions.

5. How often do you practice?

I practice on the weekends, and on weekdays after I finish my homework as much as possible. I tend to sing for around an hour, or a bit more/less than that, depending on the time constraint.

6. Why do you love music?

I like the feeling of freedom it gives. When I sing, I am able to pursue whichever song interests me. It feels nice to hear your voice be strengthened into something new, and it’s wonderful to control your voice in beautiful ways. 

7. Tell us about some of your recent accomplishments. (you can include the practice challenge. honor roll etc)

I recently became a finalist in the Golden Classic International Competition, and I’m set to perform at Carnegie Hall in July in the winner’s concert! I’m super excited! 

8. What are some things you like doing besides music?

I enjoy drawing, going to the mall with my friends and family, and playing video games. But honestly, ever since sophomore year started, I’ve been unable to play video games. My guilty pleasure is binge reading novels and manga.

9. What do you want to be when you grow up?

To be honest, I don’t know yet. I used to want to be a UI designer, but recently, my interests in that field have curbed. I think I’ll find my path in college. My goal for now is to just get in, and I’m sure I’ll find something I love during college! I’m still young :D

Strings of Wisdom: A Conversation with Dr. Yang

Q & A w/ Dr. Yang

One of my main messages to aspiring musicians is to approach music as a journey, not a destination. It’s important to cultivate patience, persistence, and self-compassion.

We sat down with our violin/viola teacher extraordinaire, Dr. Yang for a Q&A. She holds a Master’s degree from the Shanghai Conservatory, a second Master’s degree from the Peabody Conservatory, and a Doctorate from the University of Minnesota.

How old were you when you started taking music lessons and what was your first instrument?

I started to learn the violin when I was 3 and a half years old. My mom and I watched the televised Vienna New Year's concert. I told her I wanted to play “that thing on TV” too. So my mom started buying me a violin and looking for a teacher. Later when I entered the Conservatory, I learned more about the viola and grew to love it. So I started to learn the viola performance professionally until I graduated with my doctoral.

Who/what inspired you to become a musician and music teacher?

From an early age, music was a central part of my life, inspired by both my family’s love for music and the dedication of my music teachers. Their passion and support made me see the beauty and power of music, and I wanted to help others experience that same joy. As I grew, I found that teaching allowed me to combine my love for music with my desire to make a positive impact in people’s lives, and pass on the beauty of music.

Who or what have been the most important influences on your musical life and career?

Throughout my career, I've been influenced by several wonderful mentors who taught me not just technique, but also how to be expressive and thoughtful in my playing. Each teacher inspired me and taught me in their unique way. This enriched my understanding of teaching and made me very good at adapting my teaching style in time for different students. They instilled in me the importance of expression and perseverance. This has improved my professional abilities and has also shaped my personality, making me a more resilient person at the same time.

Tell us about your musical and teaching background.

I studied music formally, earning two master's degrees at Shanghai Conservatory and Peabody Institute, and a doctor's degree at the University of Minnesota. My journey includes both solo and professional orchestral performances, which have enriched my understanding of different musical styles and settings. Teaching became a natural extension of my passion for music. I have over 15 years of teaching experience. Working with a diverse range of students, from beginners to advanced musicians. I teach students as young as four, focusing on creating a nurturing environment where they can learn the fundamentals, build confidence, and develop a genuine love for music.

Do you have important ideas and concepts to impart to aspiring musicians?

One of my main messages to aspiring musicians is to approach music as a journey, not a destination. It’s important to cultivate patience, persistence, and self-compassion. Growth in music doesn’t happen overnight; it’s a gradual process that requires both technical skill and emotional connection to the music. I also encourage students to explore creativity and expression in their practice, making music something personal and meaningful to them.

What do you love most about teaching?

Teaching allows me to witness and contribute to each student’s unique journey of growth and discovery. I love seeing students develop not only their technical skills but also a deep appreciation for music. Helping students overcome challenges, watching their confidence grow, and seeing them find joy in their accomplishments is incredibly rewarding. Teaching also lets me share my passion and continue learning myself, as each student brings something unique to the learning process.

Do you have a practice tip you want to share with our students?

One of the most effective practice tips I can offer is to set small, achievable goals for each practice session. Rather than just focusing on time, aim to accomplish specific tasks—whether it’s mastering a challenging phrase, improving intonation, or working on rhythm. Also, incorporate focused listening and take breaks to avoid mental fatigue. Consistent, thoughtful practice is far more valuable than mindlessly going through the motions.

What do you enjoy doing when you’re not teaching, practicing, or performing?

Outside of music, I enjoy activities that allow me to relax and recharge. I love reading, exploring new genres of literature, and spending time outdoors. I also find inspiration in attending live performances and learning from other art forms.